John Woo, Chow Yun-fat, and the Hong Kong action cinema in general gained international attention with the release of The Killer. A contract killer (Chow) accidentally blinds a nightclub singer (Yeh) and, guiltily, decides to take a last job in order to buy her a cornea transplant. Meanwhile, a renegade cop (Lee) assigned to the case begins to feel an affinity for the killer. All of the classic Woo elements are in evidence here: intricately choreographed violence, religious imagery, operatic melodrama and, of course, white doves flying in slow motion.
Part of film series
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Treasures from the Harvard Film Archive: ...
The Little Match Girl
Directed by Jean Renoir, 1928
Live piano accompaniment by Peter FreisingerScreening on Film
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Treasures from the Harvard Film Archive: ...
Nana
Directed by Jean Renoir, 1926
Live piano accompaniment by Peter FreisingerLive Musical AccompanimentScreening on Film
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Treasures from the Harvard Film Archive: ...
Trailers, Trailers, Trailers
Introduced by Film Conservator Julie BuckScreening on Film
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Treasures from the Harvard Film Archive: ...
Sweet Smell of Success
Directed by Alexander Mackendrick, 1957
Screening on Film