E is for Exploitation!
After an extended business trip behind the Iron Curtain, a man returns home to suspect his wife of having an affair and soon realizes he has created a monster. From the first frame, Polish director Zulawski transmogrifies this domestic crisis into an unrelenting, over-the-top cinematic spectacle. A deeply unnerving tour-de-force, Possession benefits from an awe-inspiring performance by Isabelle Adjani that garnered the Best Actress Award at the Cannes Film Festival and a French César Award. Reduced to 82 minutes against the director’s wishes upon its American release, we are pleased to present the original 127-minute version in all its tumultuous glory.
Part of film series
Screenings from this program
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Cinema A–Z: Treasures from the Harvard ...
The Last Laugh
Directed by F.W. Murnau, 1924
Live Piano Accompaniment by Yakov GubanovScreening on Film
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Cinema A–Z: Treasures from the Harvard ...
The Last Command
Directed by Josef von Sternberg, 1928
Live Piano Accompaniment by Yakov GubanovScreening on Film
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Cinema A–Z: Treasures from the Harvard ...
Trailers, Trailers, Trailers
Introduction by HFA Conservator Julie BuckScreening on Film