V is for Vitti Vignettes
Another of Buñuel’s attempts to "épater les bourgeois," The Phantom of Liberty is an episodic work that radiates out from a brutal historical prologue set in nineteenth-century Toledo, where drunken French troops randomly murder the citizenry as they desecrate the church. In the first of a series of abrupt shifts, Buñuel segues to a modern-day Parisian park, where two au pairs chat on about the horrors of Napoleonic times as their young charges are accosted by a man. In this knight’s tour of the modern condition, the film shifts to the bourgeois father and mother (Vitti) and their doctors and nurses, and then further outward to embrace a seemingly random, yet systematic, critique of contemporary European psychopathology.
Part of film series
Screenings from this program
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Cinema A–Z: Treasures from the Harvard ...
The Last Laugh
Directed by F.W. Murnau, 1924
Live Piano Accompaniment by Yakov GubanovScreening on Film
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Cinema A–Z: Treasures from the Harvard ...
The Last Command
Directed by Josef von Sternberg, 1928
Live Piano Accompaniment by Yakov GubanovScreening on Film
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Cinema A–Z: Treasures from the Harvard ...
Trailers, Trailers, Trailers
Introduction by HFA Conservator Julie BuckScreening on Film