D is for Divine Intervention
Robert Bresson chronicles the final days in the life of Joan of Arc in a matter-of-fact, ritualistic interpretation of this legendary tale. Like Dreyer's The Passion of Joan of Arc, the film is based on the actual transcripts from the trial. Lacking the emotional intensity of the great Falconetti, Florence Delay provides a far more sober reading of Joan, quietly struggling with both the demands of her church and her spiritual calling. In his direct, repetitious machinations, Bresson captures the cold voyeuristic spectacle of his heroine which continues to fascinate viewers.
Part of film series
Screenings from this program
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Cinema A–Z: Treasures from the Harvard ...
The Last Laugh
Directed by F.W. Murnau, 1924
Live Piano Accompaniment by Yakov GubanovScreening on Film
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Cinema A–Z: Treasures from the Harvard ...
The Last Command
Directed by Josef von Sternberg, 1928
Live Piano Accompaniment by Yakov GubanovScreening on Film
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Cinema A–Z: Treasures from the Harvard ...
Trailers, Trailers, Trailers
Introduction by HFA Conservator Julie BuckScreening on Film