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Z is for Zombies
Pittsburgh-based Romero implants significant political commentary within the usual gruesome fare of the zombie subgenre in this hugely popular horror film. Made with a local cast and crew for less than $200,000, much of its appeal emanates from its no-stone-left-unturned grossness and its tongue-in-cheek story line concerning recently dead bodies that return to life to kill the living in order to eat their flesh. The first horror film to feature an African-American actor (Duane Jones) in a leading role, Romero’s film shattered the conventions of the genre while raising prescient questions about race in America.
Part of film series
Screenings from this program
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Cinema A–Z: Treasures from the Harvard ...
The Last Laugh
Directed by F.W. Murnau, 1924
Live Piano Accompaniment by Yakov GubanovScreening on Film
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Cinema A–Z: Treasures from the Harvard ...
The Last Command
Directed by Josef von Sternberg, 1928
Live Piano Accompaniment by Yakov GubanovScreening on Film
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Cinema A–Z: Treasures from the Harvard ...
Trailers, Trailers, Trailers
Introduction by HFA Conservator Julie BuckScreening on Film
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