In 1929, Bertolt Brecht and Kurt Weill were engaged to adapt their successful transposition of John Gay’s The Beggar’s Opera to the screen. Brecht wanted to give the film more anti-bourgeois bite than the stage version. His changes proved too strong for his capitalist producers. Brecht sued them and lost. Also lost were some of the songs and the disenchanted irony which was replaced by charm. A mix of realism and stylized settings, the performances and wonderful score and lyrics retain much of the pungency of the original.
Part of film series
Screenings from this program
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Treasures from the Harvard Film Archive: ...
The Little Match Girl
Directed by Jean Renoir, 1928
Live piano accompaniment by Peter FreisingerScreening on Film
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Treasures from the Harvard Film Archive: ...
Nana
Directed by Jean Renoir, 1926
Live piano accompaniment by Peter FreisingerLive Musical AccompanimentScreening on Film
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Treasures from the Harvard Film Archive: ...
Trailers, Trailers, Trailers
Introduced by Film Conservator Julie BuckScreening on Film
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Treasures from the Harvard Film Archive: ...
Sweet Smell of Success
Directed by Alexander Mackendrick, 1957
Screening on Film